About

Alexandra Cardinale

Biography

Alexandra Cardinale was admitted by competition at the age of ten to the École de
danse du Ballet de l’Opéra de Paris, directed by Claude Bessy.

During her six years of selection and training in classical and contemporary dance, she also pursued traditional schooling. Claude Bessy entrusted her with the leading roles in the prisoner of the Caucasus and in The Fille Mal Gardée at the Palais Garnier.

In July 1993, she came out first in the Entry Competition to the Corps de Ballet de l’Opéra de Paris under the direction of Patrick Dupond. From his first year in the Opera Ballet, the latter invited her to dance “outside the walls” in his personal tours (Patrick Dupond and friends).

She was raised to the rank of Corypheus by interpreting the variation of Carmen de Roland Petit under the direction of Brigitte Lefèvre. She has danced all the great works of the classical repertoire: La Bayadère, Le Lac des Cygnes, Cinderella, Romeo and Juliet, Don Quixote by Rudolph Noureev, Les Ballets by George Balanchine, Roland Petit, Serge Lifar, Vaslav Nijinski, Jerome Robbins, Pierre Lacotte, Maurice Béjart… and also contemporary works: Pina Bausch, William Forsythe, Angelin Preljocaj or Wayne McGregor … chose her for their creations at the Opera.

Under the direction of Benjamin Millepied, then director of the Paris Opera, she participated in the event “20 dancers for the 20th century” by Boris Charmatz in the Grand Foyer of the Palais Garnier. She also participated in the creation of visual artist Tino Sehgal.

Marie-Claude Pietragalla entrusted him with the role of principal dancer in the ballet Don Quichotte at the Opéra National de Marseille.

She has participated in international tours of the Paris Opera and galas as as a guest, contributing to the fame of French ballet (Metropolitan Opera, New York – NHK, Japan – Kremlin, Russia – Kiev Opera, Ukraine – Beijing Grand National Theater and Shanghai Opera, China – La Scala in Milan, La Fenice in Venice, Italy – Vienna Opera – Singapore – Argentina – Finland – Spain – United Arab Emirates…).

In 2018, Alexandra bid farewell to the stage of the Paris Opera after 30 years with this prestigious institution. Since then, she has continued her career as a soloist dancer, while also producing a wide variety of ballets. Her greatest wish is to introduce people to dance and share the emotions evoked by this art form.

Alongside her dance career, Alexandra Cardinale earned a degree in Entrepreneurship and Management from Sciences Po Paris, as well as a State Diploma as a dance teacher from the National Dance Center (CND).

In 2010, Alexandra Cardinale founded AC Opéra Ballet Production to showcase exceptional ballet evenings such as Gala d’Étoiles, which has become a benchmark and highly anticipated event. Driven by contemporary creation, she dances and contributes to the production of the latest choreographies by Ballet Julien Lestel.
Since 2023, Étoile dancer Hugo Marchand has entrusted her with the production and realization of the evenings Les Etoiles au Château, held in emblematic French heritage sites to make dance accessible to all and provide a prestigious stage for the Étoiles of the Paris Opera.

Alexandra Cardinale tirelessly applies her sensitivity and high standards to serve dance, its dissemination, and promotion, while also designing scenographic setups of advanced technicality.

In June 2024, she was honored with the distinction of Knight of the Order of Arts and Letters.

AC Opera Ballet Production

Alexandra Cardinale sur scène

« See the music and listen to the dance »
Georges Balanchine

Founded in 2010, Alexandra Cardinale Opéra Ballet Production presents ballet evenings that place at the heart of its artistic mission the transmission of the great classical repertoire and the discovery of contemporary creations.

AC Opéra Ballet Production created the ballet evening Gala d’Étoiles: a prestigious and accessible performance in which the Étoiles and Soloists of the Paris Opera participate and perform the greatest masterpieces of the repertoire.

In 2013, Étoile dancer Isabelle Ciaravola approached AC Opéra Ballet Production to produce her ballet evenings Isabelle Ciaravola et ses Solistes.

Since 2017, AC Opéra Ballet Production has also presented the latest creations of Ballet Julien Lestel: Run, Carmen, Rencontres, Rodin, Mosaïques, Dream, Libre, Misatango/Boléro, Puccini, as well as the web series L’éternel et l’éphémère, filmed at the Rodin Museum, the Musée d’Art Moderne de Paris, and the Musée du Quai Branly – Jacques Chirac.

Since 2023, Étoile dancer Hugo Marchand has entrusted AC Opéra Ballet Production with the production and staging of the Les Étoiles au Château evenings in emblematic French heritage sites to offer exceptional performances accessible to all, at a single price of €13 and to make these châteaux, jewels of our historical heritage, become actors of living heritage, transforming for a weekend into a sublime setting for the dancers of the Paris Opera.
Hugo Marchand and Alexandra Cardinale are committed to seeing dance as a bridge for creating connection and wonder. By taking dance out of theaters, it becomes a tool to reclaim one’s body, educate, experience the collective, and sometimes even heal.

Thanks to the support of local authorities, the social impact of the association Hugo Marchand pour la Danse is strengthened by welcoming priority audiences and organizing, every weekend, outreach sessions for young audiences.

In 2025, the Opéra de Massy called upon AC Opéra Ballet Production to design an evening paying tribute to Rudolf Nureyev, in partnership with the Nureyev Foundation.

Alexandra Cardinale continuously brings her sensitivity and high standards to serve dance, its dissemination, and its promotion while designing scenographic productions of great technical sophistication.

To make art accessible to all, AC Opéra Ballet Production is committed to associations working with people with disabilities, such as La Résidence Soleil in Massy, by leading classes in the studios of the Opéra de Massy with autistic children and adults, and by creating encounters in the form of introductory workshops on dance and body expression.

AC Opéra Ballet Production also initiated, with La Ligue contre le Cancer, a project to allow children from the pediatric oncology department of Rennes South Hospital, as well as their families and healthcare staff, to attend the dress rehearsal of Gala d’Étoiles at the Couvent des Jacobins… A project also replicated at the Théâtre du Casino Barrière in Lille.

AC Opéra Ballet Production actively collaborates with charitable organizations to support causes dear to its heart, such as Le Gala Marseille Espérance and Le Bal Bleu – Belharra – 24hrs for the Ocean at the Théâtre du Casino Barrière in Deauville.

AC Opéra Ballet Production promotes cultural inclusion by inviting numerous associations to dress rehearsals and performances. During these sessions, audiences with limited access to cultural venues have the unique opportunity to discover the behind-the-scenes world of the show and observe artists and technicians working together to create an unforgettable experience.

Beyond traditional venues, AC Opéra Ballet Production is invited to produce exceptional events such as The Jewels of Majestic on the beach of the Majestic in Cannes, La Plus Royale des Expériences Artistiques at the Royal Monceau – Palace Raffles Paris, and Le Bal du Siècle in the Hall of Mirrors at the Château de Versailles…

Around a hundred performances have been produced, gathering over 100,000 spectators on prestigious stages such as Paris’s Salle Pleyel, Théâtre Libre, Palais des Festivals in Cannes, Palais des Congrès in Issy-les-Moulineaux, Centre International de Deauville, Palais des Congrès in Paris and La Baule, Centre des Congrès de Rennes Métropole, and Casino Barrière theaters across France.

AC Opéra Ballet Production also supports the creation of documentary films such as Les Adieux, directed by Arnaud Dreyfus, retracing the last role on the stage of the Paris Opera by Étoile dancer Clairemarie Osta alongside Nicolas Le Riche, as well as a documentary on Madame Claude Bessy, former Director of the School of Dance of the Paris Opera Ballet, directed by Jean-Yves Esquerre, Director of the European School of Ballet (Amsterdam).

« “Being an artistic director means selecting artists, works, creators and technical means. It consists in impulsing energy, seeking harmony, esthetics, giving orientation, style, transmitting the essence of one’s personality. This requires, as every time one builds, produces or gives life, acting with humility, believing in oneself while questioning one’s achievements for each new experience. It consists in standing back to highlight others, letting yourself be led to better guide others, expressing yourself as accurately as possible to promote the expressiveness of others. It’s thinking as much about artists as about the public. It is making a work of creation, in the same way as the adapter, the musical arranger or the scenographer.

Artistic director is one of the most beautiful job that Alexandra Cardinale exercises, in addition to being an artist and producer, both jobs complementing each other…

She puts her sensitivity and her demands at the service of dance, its dissemination, its promotion ; the choreographic montages she designs, are of high technical nature and now bears her watermark signature. »

Blandine Harmelin
Artistic Director Groupe Lucien Barrière

Team

Production & Artistic Direction

Alexandra Cardinale
AC Opéra Ballet Production

Administration and Accounting

Valérie Lefèbvre
Cécile Picy

Head of Communications

Leslie France – Agence Cornette

Press Relations

Franck Peyrinaud
franckpeyrinaud@gmail.com
+33 (0)6 09 81 97 16

Public Relations

Anne Cassel
anne@cecilepromotion.com
+33 (0)6 62 01 77 77

 

Production Gala d’Étoiles

Artistic Direction

Alexandra Cardinale

Technical Direction

Lo Ammy Vaimatapako

 

Production Ballet Julien Lestel

Director – Choreographer

Julien Lestel

Technical Direction

Lo Ammy Vaimatapako

Assistant Ballet Master

Gilles porte

 

Production Les Étoiles au Château

Artistic Direction

Hugo Marchand

Technical Direction

Lo Ammy Vaimatapako

Head of Communications

Leslie France – Agence Cornette

Press Relations

Claire Marsden
claire@contactcm.com
+33 (0)6 82 44 37 23